2024 |
Illuminations, J. Paul Getty Museum, Los Angeles, CA |
2023 |
Illuminations, High Museum of Art, Atlanta, GA |
|
ONE BLOOD, Springfield Art Museum, Springfield, MO |
|
VIRAL\VALUE, The Henry Luce III Center for The Arts & Religion, Washington, D.C. |
2022 |
VIRAL\VALUE, Museum of Contemporary Religious Art, St. Louis, MO |
|
Our Blood Can Save, The Major R. Owens Health & Wellness Community Center, Brooklyn, NY |
2021 |
Can You Save Superman? II, Abroms-Engel Institute for the Visual Arts, Birmingham, AL |
2020 |
Can You Save Superman?, Leslie-Lohman Museum of Art, New York, NY |
2019 |
Illuminations, The Andy Warhol Museum, Pittsburgh, PA |
|
Our Blood Can Save Them, Keith Haring Bathroom, The Center, New York, NY |
2018 |
Jesus, Christie’s, Leslie-Lohman Museum of Art, New York, NY |
2017 |
Blood Mirror, Birmingham Civil Rights Institute, Birmingham, AL |
|
Blood Equality, Abroms-Engel Institute for the Visual Arts, Birmingham, AL |
|
Illuminations, Guy’s Chapel, London, UK |
|
Illuminations, Old Quad, The University of Melbourne, Melbourne, AU |
2016 |
Illuminations, High Line, New York, NY |
2015 |
Blood Mirror, Trinity Wall Street, New York, NY |
|
Blood Mirror, American University Museum, Washington, D.C. |
2014 |
Blood Dust, Boston Center for the Arts, Boston, MA |
|
BAR 1-9, The Fogelman Galleries of Contemporary Art, University of Memphis, Memphis, TN |
2013 |
Red Giant, Everson Museum of Art, Syracuse, NY |
|
Blood Work, Mütter Museum, Philadelphia, PA |
|
Blood/Spirit, Museum of Contemporary Religious Art, St. Louis, MO |
|
Red Giant, Visual Arts Center of New Jersey, Summit, NJ |
2012 |
In Focus–Jordan Eagles, University of Michigan Museum of Art, Ann Arbor, MI |
|
Blood Work, International Museum of Surgical Science, Chicago, IL |
2009 |
Hemosapien, Aljira, A Center for Contemporary Art, Newark, NJ |
2007 |
Animal–Spirit–Machine, Real Art Ways, Hartford, CT |
2024 |
Blood: Medieval/Modern, J. Paul Getty Museum, Los Angeles, CA |
|
Material Resonance: 10 Years of AEIVA Exhibitions, Abroms-Engel Institute for the Visual Arts, Birmingham, AL |
2023 |
Capital Vice: Politics of the Seven Deadly Sins, Fitchburg Art Museum, Fitchburg, MA |
2022 |
Unmasking Masculinity for the Twenty-first Century, Kalamazoo Institute of Arts, Kalamazoo, MI |
|
Mirror/Mirror: American Self-Portraits in the Expanded Field, Bo Bartlett Center, Columbus, GA |
2021 |
Double Vision, Haggerty Museum of Art, Milwaukee, WI |
2020 |
Surface to Source, Museum of Contemporary Religious Art, St. Louis, MO |
2019 |
Collection Ensemble, University of Michigan Museum of Art, Ann Arbor, MI |
|
Creating an American Identity, Springfield Art Museum, Springfield, MO |
2018 |
Germ City–Microbes and the Metropolis, Museum of the City of New York, New York, NY |
|
Haptic Tactics, Leslie-Lohman Museum of Art, New York, NY |
2017 |
Victors for Art: Michigan's Alumni Collectors—Part II: Abstraction, University of Michigan Museum of Art, Ann Arbor, MI |
|
Blood: Life Uncut, Science Gallery, London, UK |
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Blood: Attract & Repel, Science Gallery Melbourne, Melbourne, AU |
|
Transformations, Museum of Contemporary Religious Art, St. Louis, MO |
2016 |
Up Late, High Line, New York, NY |
|
In the Power of Your Care, The Shelly & Donald Rubin Foundation, The 8th Floor, New York, NY |
|
FUCK! Loss, Desire, Pleasure, ONE Archive, Los Angeles, CA |
|
Tomorrow Never Happens, Samek Art Museum, Lewisburg, PA |
2015 |
#Interface, Leslie-Lohman Museum of Art, New York, NY |
|
Blood/Sport, Wayne State University, Detroit, MI |
2014 |
Thresholds: Part 2, Museum of Contemporary Religious Art, St. Louis, MI |
2013 |
Inventory_The EAM Collection, Elmhurst Art Museum, Elmhurst, IL |
|
Cell Mates, Seton Hall University, Walsh Gallery, South Orange, NJ |
|
The Blood is the Life: Vampires in Art & Nature, Everhart Museum, Scranton, PA |
2012 |
Soul Seekers, Trinity Museum, New York, NY |
2011 |
Collection Highlights, Elmhurst Art Museum, Elmhurst, IL |
|
Curator's Choice, Mobile Museum of Art, Mobile, AL |
|
Loft in The Red Zone, Historic House of JP Morgan, New York, NY |
2010 |
Re-Creation, Ogilvy & Mather, New York, NY |
2009 |
Exquisite Corpse, Paul Robeson Gallery, Rutgers University, Newark, NJ |
|
Pavilhao 28, Nova Cultura-Centro Hospitalar Psiquiatrico, Lisbon, Portugal |
2008 |
Specimen: Re-presenting the Natural World, Paul Robeson Gallery, Rutgers University, NJ |
2007 |
Martin Luther King, Jr.: Life, Times and Legacy, The Wadsworth Atheneum Museum of Art, Hartford, CT |
2005 |
Race: Enter Personal Politics, Athens Institute of Contemporary Art, Athens, GA |
2004 |
XX XY, Gallery Aferro, Newark, NJ |
Abroms-Engel Institute for the Visual Arts, Birmingham, AL |
Addison Gallery of American Art, Andover, MA |
Alliance Bernstein, Taiwan |
American University Museum, Washington, D.C. |
Art Museum at the University of Memphis, Memphis, TN |
Elmhurst Art Museum, Elmhurst, IL |
Everhart Museum, Scranton, PA |
Everson Museum of Art, Syracuse, NY |
Fitchburg Art Museum, Fitchburg, MA |
Fuller Craft Museum, Brockton, MA |
Henry Luce III Center for the Arts & Religion, Washington, D.C. |
International Museum of Surgical Science, Chicago, IL |
Leslie Lohman Museum of Art, New York, NY |
Mobile Museum of Art, Mobile, AL |
Museum of Contemporary Religious Art, St. Louis, MO |
Museum of Sex, New York, NY |
Mütter Museum, Philadelphia, PA |
Peabody Essex Museum, Salem, MA |
Princeton University Art Museum, Princeton, NJ |
Prudential Center, Newark, NJ |
Rutgers University, Paul Robeson Gallery, Newark, NJ |
Secunda Museum, Howell, MI |
Springfield Art Museum, Springfield, MO |
Synapse BV, The Netherlands |
The Rose Art Museum, Waltham, MA |
University of Michigan Museum of Art, Ann Arbor, MI |
Wellcome Collection, London, UK |
2022 |
Art, Activism, and AIDS, Kalamazoo Institute of Arts, Kalamazoo, MI |
2016 |
Blood Equality, Hammer Museum, Los Angeles, CA |
2015 |
Blood Mirror Panel, Trinity Wall Street, New York, NY |
|
Blood Illuminated, American University Museum, Washington, D.C. |
2013 |
Red Giant Q&A, Everson Museum of Art, Syracuse, NY |
2024 |
Contemporary Art Review LA, Blood: Medieval/Modern at the Getty Museum |
|
Plaster, "Blood is thicker than paint," Emily Steer |
|
The Art Newspaper, "Getty Center explores the bloodlines between old and new art," Allison C. Meier |
|
Artillery, "Gallery Rounds: Blood Medieval/Modern," Isabella Miller |
|
Advocate, "Scarlet Fever: exploring our fascination, revulsion with blood," Neal Broverman |
2023 |
Springfield News-Leader, “Here’s what to know about the art museum’s new exhibit, featuring human blood sculptures,” Gretta Cross |
|
The Body, Pairing “Salvator Mundi” with HIV-Positive Blood to Make a Political Point, Tim Murphy |
2022 |
Brooklyn Reader, Using Blood of Gay Men, Artist Urges FDA to Change ‘Discriminatory’ Blood
Donation Rules in BK Show,” Anna Bradley-Smith |
|
The Christian Century, “On Art From Hemosapien Series,” Aaron Rosen |
2021 |
Hyperallergic, “Jordan Eagles Critiques Medical Prejudice Against Queer Men Using Blood and Nostalgia,” Madeleine Seide |
|
Autre, “Queer Blood America: An Interview Of Artist Jordan Eagles Who Is Battling Blood Inequality,” Oliver Kupper |
|
Burnaway, “Can You Save Superman? II” at AEIVA, Birmingham, James Michael Nichols |
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POZ, “Fighting for Your Right…to Donate Blood!,” Trenton Straube |
2020 |
New York Magazine, Vulture, “Artist Jordan Eagles Calls for Queer Blood to Help Safe the Sick,” Thomas Benfield |
|
The Guardian, “The best online LGBT exhibitions for pride month,” Nadja Sayej |
|
The Art Newspaper, “Three online exhibitions honoring Pride Month,” Gabriella Angeleti |
|
Observer, “How Two Artists Are Using the Subversive Power of Comics to Illustrate Injustice,”Osman Can Yerebakan |
|
Advocate, “’Can You Save Superman?’ Exhibit Boldly Challenges the Gay Blood Ban,” Tracy E. Gilchrist |
|
Image Journal, “In The Studio: Jordan Eagles” |
|
The Art Newspaper, “Social media addiction, a blood-soaked Salvator Mundi and more at the Spring Break Art Show,” Gabriella Angeleti |
|
Thomson Reuters, “The Blood is the Life”: Art, Superman, & the quest for blood donor equality,” Nicholas Giannini |
2019 |
The Art Newspaper, “The Andy Warhol Museum will be drenched in blood for World AIDS Day,” Zachary Small |
|
OUT, “Artist Drenches Andy Warhol Museum in Blood of LGBBTQ+ Men,” Serena Sonoma |
|
Hyperallergic, “An Interview with Jordan Eagles, the Artist Using Blood to Advocate for Queer Rights,” Zachary Small |
|
HuffPost, “This Artist Used Blood To Send Powerful Message About LGBTQ Rights,” Curtis Wong |
|
Elephant, “Blood, Swear and Piss: Art Is a Hard Job,” Osman Can Yerebakan |
|
El Champ, “Live, Laugh, Blood: An Interview With Jordan Eagles,” Alexandria Deters |
2018 |
VICE, “This Artist is Making Work Out if the Literal Blood of LGBTQ People,” Claire Voon |
|
ArtNews, “’The Greatest Blood Donor of All Time’: New Artwork by Jordan Eagles Considers ‘Salvator Mundi’ in the Context of Today,” Maximiliano Duron |
|
New York Magazine, THE CUT, “This Artist Sculpts Human & Animal Blood Into Striking Works of Art,” Samantha Lee and Masen Colucci |
|
The Body, “Jordan Eagles Uses Life’s Blood in Life’s Work,” Charles Sanchez |
|
OUT Magazine, “This Man Used HIV+ Blood to Recreate the Most Expensive Painting in the World,” Rose Dommu |
|
Artspeak, “Jordan Eagles,” Atesh Gundogdu |
|
Scientific American, “When 2 (Disciplines) Become 1,” Amanda Montanez |
|
ArtSlant, “A Dog In The Fight: The Exploitation of Animals in Art,” Darren Jones |
2017 |
Victors for Art: Michigan’s Alumni Collectors (catalogue), University of Michigan Museum of Art, Joseph Rosa |
|
Art Critical, "Drawn to Blood: Jordan Eagles talks with Darren Jones about his work with corporeal matter," Darren Jones |
|
New Scientist, “Bloody exhibition is only for the brave and the bold,” Simon Ings |
|
London News, “Blood is cultural not just a life-giving fluid,” Paul Lagan |
|
Hello Gorgeous Magazine, "Bloedbroeders," Leo Schenk |
|
SBS, "Melbourne lights up for Blood Equality," Stephen A. Russell |
|
Advocate, "A Reminder That the FDA Still Discriminates Against Gay, Bi Men," Ashley Jiang |
|
New Now Next, "This Artist Is Using The Blood Of Gay Men On PrEP To Address The FDA’s Donation Policy," Michael Valinsky |
|
VICE, "Decades After the AIDS Crisis and Queer Men Still Can't Easily Give Blood," Aaron Barksdale |
2016 |
Tomorrow Never Happens (catalogue), Samek Art Museum, Lewisburg, PA, 2016 |
|
Hyperallergic, "Artists Share Their Personal, Tragic Experiences in Health and Care," Gretchen Coombs |
|
The Daily Beast, "Portrait of the Artist as a Fashion Designer," Lori Zimmer |
|
The Creators Project, "Eerie Actors and Illuminated Blood Light Up the High Line," Taylor Lindsay |
|
Splinter, "Why is this artist covering a New York City park with queer men’s blood," Laura Feinstein |
|
ArteFuse, "Whose Care Is it Anyway? Reflections on In The Power of Your Care," Audra Lambert |
|
OUT, New York’s High Line to Host Blood Illuminations to Protest Restrictions on Gay Blood Donations," |
|
Salon, "He can shed his blood on the battlefield, but yet he can’t donate blood to save lives,” Asha Parker |
|
Huffington Post, "50 Men On PrEP Give Blood To Protest FDA’s Policy On Blood Donation," JamesMichael Nichols |
|
FourTwoNine, "Blood Brothers," Mark Joseph Stern |
2015 |
New York Magazine, “Trinity Church on Wall Street to Host ‘Gay Blood’ Artwork,” Joseph Akel |
|
Observer, “‘Blood’ Sculptor Protests FDA Blood Donation Policy with New Exhibition,” Ryan Steadman |
|
MSNBC, "LGBT leaders protest FDA ban in blood sculpture." |
|
#Interface (catalogue), Leslie Lohman Museum of Gay and Lesbian Art, Walt Cessna, 2015 |
|
Spirit & Flesh Magazine, “Blood Artist, Does He not Bleed Red?,” Rachel Kolarik |
|
Village Voice, “You Need To See This Artist’s Statement On The FDA’s Ban, On Gay Blood Donations,” Anna Hiatt |
|
VICE, “Gay Men in France Allowed to Give Blood as Long as They Don’t Have Sex for a Year” Lucie Aubourg |
|
U.S. News & World Report, “Blood From Gay Donors in Art Exhibit Protesting FDA’s Ban,” Brett Zongker |
|
POZ, “Blood Works,” Trenton Straube |
|
GOOD, “Mesmerizing Art Made From Blood Highligts LGBT Injustice,” Laura Feinstein |
|
The Creators Project, “Blood Mirror Shines a Light on the FDA’s Gay Blood Ban,” Emily Kirkpatrick |
|
Slate, "This Beautiful, Bloo-Filled Sculpture Brilliantly Condemns the Gay Blood Ban," Mark Joseph Stern |
|
The Daily Beast, "The Artist With Gay Blood on His Hands," Justin Jones |
|
Advocate, "Blood Mirror Reflects FDA's Gay Blood Ban in 7-Foot Tower," Dawn Ennis |
|
DAZED, "This sculpture contains the blood of nine gay men," Anna Cafolla |
|
Visionaire, "Jordan Eagles' Blood," Elizabeth Patterson |
|
Sculpture Magazine, “Review: Boston, Jordan Eagles,” Marty Carlock |
2014 |
The Mobile Museum of Art, Selections from Fifty Years of Collecting, 2014 |
|
Los Angeles Times, “New York Fashion Week: Skingraft gets mystical, moody and light(er),” Adam Tschorn |
|
Vision Magazine, "Bloody Paintings, Bloody Pain," Liu Yie |
|
The Boston Globe, “At Mills, blood speaks volumes in art by Eagles,” Cate McQuaid |
|
Complex, “10 Curated Rooms You Cant Miss at the SPRING/BREAK Art Show,” Leigh Silver |
|
The Commercial Appeal, “Blood Visions: Painter turns morbid medium into provocative work,” Fredric Koeppel |
2013 |
Artforum, “Critics’ Pick,” Everson Museum of Art, Rotem Rotenzal |
|
Art Daily, “Everson Announces opening of Jordan Eagles: Red Giant.” |
|
St. Louis Magazine, “Jordan Eagles’ Blood/Spirit,” Stefene Russell |
|
VS Magazine, “Art of Blood,” Shana Nys Dambrot |
|
St. Louis Post-Dispatch, "Artist uses blood to show link between body and spirit," Sarah Bryan Miller |
|
Huffington Post, “Blood Artist Jordan Eagles Is Back With Two New Exhibits, ‘Red Giant’ And ‘Blood/Spirit’” |
|
PBS WCNY–Artifex |
2012 |
TIME, “Injecting Life into Art: The Artist Who Experiments with Blood,” Kharunya Paramaguru |
|
The New York Times, “Using Blood, an Artist Gives Life to His Works,” Vincent M. Mallozzi |
|
Soul Seekers (catalogue), Trinity Museum, Phenomena Projects, 2012 |
|
UMMA Magazine, University of Michigan Museum of Art, In Focus, Ruth Keffer, Spring/Summer Time Out Chicago, “Bloodworks,” D.L. Hopkins |
|
FRAME, “New Blood,” Jane Szita, Sept/Oct |
|
The New York Times, “That Blood On the Wall? It’s Just Art,” Nicole Guzzardi |
|
ARTINFO.com, “40 Most Anticipated New York Gallery Shows,” Reid Singer |
|
Huffington Post, "These Blood Works Are Not For The Faint Of Heart," Katherine Brooks |
|
Art Ltd. “Critic’s Pick: SF Bay Area,” DeWitt Cheng, May |
|
The Creators Project, "Our Blood, Guts, And Anatomy As Art," Fergs Heinzelmann, April 16 |
|
7x7 Magazine, “Four April Art Shows to Keep You Busy,” Alex Bigman |
|
SF Weekly, “Life Blood,” Heidi De Vries |
2011 |
New York Magazine, “Gore Wins–Critics’ Pick,” Sept. 8-12, Miranda Siegel |
|
artnet.com, “21st Century Blood Art,” Rachel Corbett |
|
ARTINFO.com, “7 Picks For The Week.” |
|
WIRED UK, “NYC gallery to exhibit art made with slaughterhouse blood,” Mark Brown |
|
YRB, Issue 20, “Seeing Sounds” |
2010 |
The Baltimore Sun, “Galleries: Artfully under the radar,” Tim Smith |
|
Newcity Art, “Portrait of the Artist: Jordan Eagles,” Valerie Piotrowski |
|
ArtSlant, “Condition of Dualities,” Charles Schultz |
|
Marie Claire Prague, “Vamp(yr),” Antonio Mancinelli & Aneta Petrouskova |
2009 |
L'Uomo Vogue, "Their Own Art Vision" Francesco Carrozzini |
|
Milano capitale della salute (catalogue), Abitare Segesta Cataloghi, 2009, Roberto Satolli |
|
Exquisite Corpse (catalogue), Rutgers University, 2009, Anonda Bell |
|
Flash Art, "Miami Gambol" Gae Savannah |
|
Marie Claire Italia, “Vampire,” Antonio Mancinelli |
|
The New York Times, "West of Chelsea: Jordan Eagles," Nancy Tobin |
2008 |
Specimen: Representing The Natural World, Rutgers University, 2008, Anonda Bell |
|
The San Francisco Examiner, "The Eye" |
|
New York Magazine, "Artist Work Is Bloody Gorgeous," Emma Pearse |
|
Associated Press, "Artist finds beauty in animal blood," Michelle Locke |
|
SF Weekly, "There Already Is Blood," Silke Tudor |
|
Juxtapoz, "Jordan Eagles Likes Blood" |
|
ArtDaily, "New Blood Paintings" |
2007 |
The New York Times, "A Show of Small Works, and a Group Sampler," Benjamin Genocchio |
|
AQUA Miami Modern, Rizzoli International, 2007, Beth Dunlop, Steven Brooke, Terrence Riley |
|
Architectural Digest Italy, "La Baia Del Silenzio" |
|
Hartford Courant, "Paintings Come To Life, In Cold Blood," Matt Eagan |
2006 |
BLK/MRKT ONE (catalogue), Berlin: Die Gestalten Verlang, 2006, Shana Nys Dambrot |
|
Village Voice, "Blood Simple," Silke Tudor |
|
Baltimore City Paper, "In Bold Blood," Deborah McLeod |
|
San Francisco Chronicle, "Let's Get Morbid," Reyhan Harmanci |
|
SF Weekly, "Cut It Out, Art gets at what's inside," Nirmala Nataraj |
2005 |
Art Matters, "Plasma Paintings" Jan Feighner |
|
Philadelphia Weekly, "In Cold Blood," Brook Midgley |
|
Miami New Times, "Coagulated Canvas, Blood, Paints and Hairs," Lyssa Oberkreser |
1999, BA, New York University, Gallatin School for Individualized Studies |